[2025] Color Grading and Aspect Ratio
On the way out after eating gukbap | 69mm ISO40 F2.4 1/1250s
Waiting for crosswalk signal | 69mm ISO320 F2.4 1/30s
After late viewing at Cheong Wa Dae | 69mm ISO380 F2.4 1/380s
Spring-like stuff | 230mm ISO40 F4.9 1/310s
At workplace 1 | 69mm ISO40 F2.4 1/1100s
At workplace 2 | 69mm ISO40 F2.4 1/1200s
Old apartment | 46mm ISO100 F4 1/320s
Autumn rain | 23mm ISO100 F2.4 1/60s
On the way to meet a friend | 69mm ISO40 F2.4 1/1800s
Autumn-like stuff | 230mm ISO50 F4.9 1/60s
At workplace 3 | 23mm ISO12 F1.8 1/210s
Winter-like stuff | 23mm ISO50 F4.9 1/30s
Original photos can be found on GitHub!
Something is becoming tedious. Taking and editing photos feels less special and more ordinary. The good part is that it’s become part of daily life; the bad part is that it’s not fun. Perhaps because of this, even though I have a separate camera, I mostly just keep shooting acquaintances, so I haven’t left many photos worth posting publicly on the blog, and it’s mostly been phone-camera still lifes and landscapes. It’s a shame.
The reason the photos are monotonous and ordinary is that there were no special experiences this year. Since I’m substituting a year-end review and retrospective with posting photos, let me vent a little here: this was the first year in my life where I spent a year with no particular meaning. It feels like an entire year just vanished. In a positive light, one could say it passed without major difficulties, but there was little realistic and fierce contemplation, little serendipity.
When I break it down in detail, it’s clearly not like that at all, yet the overall impression is just as monotonous as this year’s photos — perhaps I’ve reached diminishing marginal utility. It feels so wasteful that there aren’t many memorable special events, so next year I want to artificially create new experiences by going places I haven’t been and doing things I haven’t done.
Extra
The two photos above can be secondarily processed like this
If there’s something to try beyond Lightroom, it’s interpreting and editing a photo as a single source. The same goes for drawing — recently I’ve been interested in placing text on image sources. Should I say it breaks through the ceiling of non-verbal expression? The effect of overlaying context works remarkably well, so I like it.